作者简介：
郭秋惠，1979年生，毕业于清华大学美术学院艺术史论系。文学博士，清华大学美术学院艺术史论系教师、中国工艺美术学会理论委员会会员。主要从事中国工艺与设计的历史与理论研究。发表论文及访谈30余篇，出版的著作有：《中国传统工艺》（合著）、《追逐太阳的光影·邓伟》（合编）、《中国现代艺术与设计学术思想丛书?吴劳文集》、《传统与学术：清华大学美术学院院史访谈录》（合编）、《光华路：中央工艺美术学院影存1956—1999》（合编）等。
王丽丹，1978年生，毕业于清华大学美术学院艺术史论系。文学博士，中原工学院艺术设计学院教师、中国工艺美术学会理论委员会会员。主要从事中外设计历史与理论研究。发表论文及访谈20余篇，出版的著作有：《中国现代艺术与设计学术思想丛书?邱陵文集》、《传统与学术：清华大学美术学院院史访谈录》（主要撰稿人）、《清华大学美术学院简史》（主要撰稿人）、《艺术鉴赏》（合编）等。
Guo Qiuhui, born in 1979, graduated from the Department of Art History of the Academy of Arts & Design of Tsinghua University. She is a Doctor of Letters, a teacher at the Department of Art History of the Academy of Arts & Design of Tsinghua University, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese arts and design, and has published more than 30 papers and interviews. Her published works include: Chinese Art & Crafts (coauthor), Pursuing the Light of the Sun – Deng Wei (coeditor), Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Wu Lao, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts & Design of Tsinghua University (coeditor), Guanghua Road: Old Photos of the Central Academy of Arts & Design (coeditor), etc.
Wang Lidan, born in 1978, graduated from the Department of Art History of the Academy of Arts & Design of Tsinghua University. She is a Doctor of Letters, a teacher at the School of Art and Design of Zhongyuan University of Technology, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese and foreign design, and has published more than 20 papers and interviews. Her published works include: Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Qiu Ling, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts & Design of Tsinghua University (main writer), A Brief History of the Academy of Arts & Design of Tsinghua University (main writer), Appreciation of Art (coeditor), etc.
内容简介：
“一方水土养一方人”。历史上的中国，是一个以农业和手工业为支撑的农业国家，农耕社会的自然环境衍生了延续至今的传统生活方式。种类繁多的传统手工艺扎根于民间，与民生民俗息息相关，以实用、朴素、温情的品格展现了中国从过往到现代的国计民生和区别于其他文明起源地的文化特征。无论是服务于上层的宫廷工艺、充满文人趣味的士大夫工艺，还是带有浓郁乡土气息的民间手工技艺，发明创造的初衷源于特定自然环境中中国人的生活所需，蕴涵着生产与生活的造物智慧，是中华文明的重要载体。
As the old saying goes, “Each place has its own way of supporting its own inhabitants.” For China, an agricultural country backed by the agriculture and handcraft industry in the history, is nowadays permeated with traditional lifestyles originated and derived from the natural conditions in farming society. As an outcome of people’s life and customs, an enormous variety of traditional handcrafts are anchored among the folk. Characterized by cultural features differing from other birthplaces of civilization, such practical, simple and warmhearted arts have always demonstrated China’s national economy and people’s livelihood from ancient to modern times. Speaking of court crafts serving rich and powerful ones, scholar-bureaucrat crafts highlighting the fun of literati and folk crafts spilling local flavor, all the intentions to invent and create have come from Chinese’s daily needs in certain natural conditions. All of these crafts, acting as the important carrier of Chinese civilization, contain the wisdom of creation accumulated during production and life.
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